Team

Director: Roland Wranik

DoP: Tomas Kotas

Executive Producer: Eduard Bartek

Line Producer: Filip Menky

Production manager: Sara Antal, Tomas Haraszti, Sofia Hornakova

1st AD: Henri Hofonda

1st AC: Dominik Brostl

Set design: Tomas Bukacek

Gaffer: Tomas Volter

Key Grip: Michal Ralis

Camera rental: Panavision

Styling: Phil La Noiraude

MUAH: Mischel Warenits

Casting TW4: Spxnkey

Casting SPORT: Jisoo Shin

Postproduction coordinator: Filip Menky

CGI Coordinator: Adam Terlanda

3D artists: Adrian Putz, Lukas Abraham

3D Simulation artist: Marek Kovac

Head of compositing: Rado Zakutny

Compositor: Tomas Dvorak

Match move: Lukas Abraham
Post technical

Support: Alex Damatzis

Grading: Jacob McKee

VFX support: Martin Stuber

Edit: Roland Wranik

Voiceover: Thomas Copeland

Photographer: Lousy Auber

BTS: Robert Revak, Rastislav Slobodnik

BTS photographer: Sarah Weiss

Studio: Barrandov studio

X
Client
Sennheiser
Agency
Ogilvy Amsterdam
Production
SORRYWECAN
X
client
Sennheiser
agency
Ogilvy Amsterdam
production
SORRYWECAN
director
Roland Wranik
Info
Director
Roland Wranik
Team
SENNHEISER | MOMENTUM

SENNHEISER | MOMENTUM

SENNHEISER | MOMENTUM

2024

Client
Sennheiser
Agency
Ogilvy Amsterdam
Production
SORRYWECAN
X
client
Sennheiser
agency
Ogilvy Amsterdam
production
SORRYWECAN
director
Roland Wranik
Info
Director
Roland Wranik
Team

VIRTUAL PRODUCTION

A global campaign created in collaboration with BeeSweet films and Ogilvy Amsterdam.  With an innovative approach to cinematography, we explored the possibilities of virtual production. A cinematic dreamscape, with a touch of AI, taking you right to Grand Canyon.

TAGS

Virtual production

Real-time rendering

Cinematography

CGI

LED technology

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Shot at the iconic Barrandov studios, we utilized LED walls as the backdrop for our CGI generated landscaped. With real-time rendering, we were able to project the Grand Canyon onto our panels, blending physical and digital elements in real time. Complemented by 8 meter-tall faux stones, the 200m2 LED panel allowed us to simulate an environment thousands of miles away. A global production, done locally.

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Over a 100 people, 2 moths of prep, 7 lens varieties and three different Arri Alexa Mini LF cameras. A success worth the effort, the project has been shortlisted for the Berlin Commercial Awards. A recognition of our desire to create, and innovate at the same time.

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